The oldest evidence of the Chinese language dates from the late Shang period 商 (17th-11th cent. BCE), when divination texts were incised into tortoise plastrons or other bones. This language, called Early Archaic Chinese, is very different in grammar from the modern Chinese, but still recognizable as Chinese. The pronunciation also considerably changed over time. The pronunciation of Mandarin is, compared to the phonetics of ancient Chinese, relatively simple.

She is also the physically strongest of the group. Her strength is displayed on numerous occasions, such as when her punch sent a fully grown man several feet into the air and through a glass pillar without the enhancement of her weapon, and in "Players and Pieces", where she was able to keep the mouth of a Nevermore open with one arm long enough to deliver multiple shots down its throat.

Because the Chinese script is not phonetical but logographical, it is not possible to directly recognize the sound of a character. This is very problematic for the reconstruction of the sounds of ancient Chinese. The main source materials for the study of ancient Chinese phonology are poems, a literary genre using rhymes. Another source are ancient dictionaries whose entries are arranged in rhyme groups. Modern topolects with a phonetic system of a more archaic character can also serve to reconstruct the sounds of ancient Chinese. A fourth source are Chinese transcriptions of foreign names, like fotuo 佛陀 for "Buddha", in which it can be seen that the modern syllable fo formerly included a consonant final –t ([bʰĭuət dʰɑ]). The problem with the reconstruction of an ancient Chinese phonology is that also in ancient times, there were topolects and dialects, so that it is difficult to establish a "standard phonetic" of Early Archaic Chinese (shanggu Hanyu 上古漢語) or of Middle Chinese (zhonggu Hanyu 中古漢語).
The topolect of Wu, for example, has voiced sounds (zhuoyin 濁音) which are between the "soft" and the aspirated consonants. Cantonese has 4 consonantial syllable endings more than Mandarin, namely [p], [t], [k] and [m]. The Mandarin dialects of the lower Yangtze region have a voice-stop at the end of syllables, called the entering tone pitch (rusheng 入聲). Cantonese has 9 tone pitches, the Mandarin dialect of Yantai 煙台 on the Shandong Peninsula only three. The designations for the tone pitches are not equal in all topolects and dialects. In Beijing, the raising tone is called yangping, while in the dialect of Tianjin 天津, the yangping is a high level tone and in the dialect of Hankou 漢口 an inflected movement of the voice.

The most important features of the phonetic system of Chinese is the simplicity of the sound structure of syllables, as well as the tone pitches. There are syllables with only one vowel, but also syllables with several vowels ([aɪ̯], [ɑʊ̯], [eɪ̯], [oʊ̯]). The semi-vowels [(ʝ)i], [(ω)u] and [(ʝ)y] can serve as interstitial sounds. In modern Chinese, only the consonants [n] and [ŋ] can serve as consonant finals. There are no consonant clusters in modern Chinese.

In the year 404, Huiyuan wrote a treatise On Why Monks Do Not Bow Down Before Kings (沙門不敬王者論).[4] This book symbolized his efforts to assert the political independence of Buddhist clergy from the courts of monarchic rulers. At the same time, it was a religious and political text that aimed to convince monarchs and Confucian-minded ministers of state that followers of Buddhism were ultimately not subversive. He argued that Buddhists could make good subjects in a kingdom due to their beliefs in retribution of karma and the desire to be reborn in paradise. Despite the Buddhists' reputation of leaving their family behind for a monastic life, Huiyuan stated "those who rejoice in the Way of the Buddha invariably first serve their parents and obey their lords."[1]

Huiyuan began studying the Zhuangzi and Laozi at a young age, as well as the teachings of Confucius. However, at the age of 21 he was converted in Hebei Province by the Buddhist Dao An, who was a Chinese disciple of a Kuchan missionary. Hearing the sermons of Dao An convinced Huiyuan to "leave the family" and embark on a life of Buddhist teachings.[1] Later, he became a patriarch of Donglin Temple (East Forest Temple) at Mount Lushan. His teachings were various, including the vinaya (戒律), meditation (禪法), abhidharma and Prajna or wisdom. Although Huiyuan did not take the initiative in establishing the relations with the secular world, he had contacts with court and gentry families. Huiyuan was on two occasions invited by the dictator Huan Xuan to take part in the discussions about the status of the clergy and Huiyuan defended the independence of the clergy. Members of the cultured classes came to live on Mount Lu as Huiyuan's lay disciples to take part in the religious life. Besides his teaching and interaction with lay followers of the Buddhist faith, he also upheld a learned correspondence with the monk Kumarajiva.[2]
Each syllable has a tone pitch. Modern Chinese has four tone pitches. In colloquial speech, the tone pitches are not always expressively pronounced, and there are some words where the tone pitch of the second syllable is not pronounced. Such syllables are spoken in the so-called "light" (qingsheng 輕聲) or "zero-tone" (qingsheng 零聲), like in dōngxi° 東西 "things", zǒule° 走了 "go", fángzi° 房子 "room", tóufa° 頭髮 "hair" or guānxi° 關係 "relations").
There is no consensus about the plosives [b], [d] and [g]. In the Hanyu pinyin transcription they are written like presented here (b p, d t, g k). Yet there were originally three different series of plosives, namely voiced (zhuoyin 濁音), voiceless (qingyin 清音) and semi-voiced (qingzhuoyin 清濁音). In some Mandarin dialects in the lower Yangtze area, the voiced plosives are still existing. Many linguists interprete the plosives of Mandarin as semi-voiced and as voiceless, and therefore write [p][pʰ], [t][tʰ] and [k][kʰ]. I think that although this might be correct it is yet misleading for most laypersons, and therefore I will consistently use the symbols indicated in the listing above.
Jiaozuo is noted for its blast furnaces and machine construction industries. The total GDP of the city in 2017 was 234.28 billion yuan, an increase of 7.4% over the previous year. Among them, the added value of the primary industry was 13.733 billion yuan, up 4.6%; the added value of the secondary industry was 13.841 billion yuan, up 6.7%; the added value of the tertiary industry was 81.143 billion yuan, up 9.1%. The per capita GDP reached 65,936 yuan. The three industrial structures changed from 6.4:59.3:34.3 of 2016 to
The classical language has still an influence on newspapers, government reports, legal texts, official documents, business contracts, and even on private letters. This influence can be seen in the language style, the lexicon, and certain expressions. The reason for this is in first place tradition (for example, forms of address or ceremoniousness, but also the more concise character of the classical language). In books and magazins, Classical Chinese is rarely used in the People's Republic of China, but it is to be found in many films picturizing the popular classical Chinese novels.
There’s coercion. It’s not a democratic system at all. Villagers are not consulted in a lot of decisions. But they do share economic benefits.  It’s institutionalized through an incentive system that combines collective and individual interests and makes disengagement costly. It’s very expensive for villagers to leave the community. It’s almost like they are married to the collective. You need to pay a breakup fee (to leave).

Huiyuan (Chinese: 慧遠; Wade–Giles: Hui-yüan; 334–416 AD) was a Chinese Buddhist teacher who founded Donglin Temple on Mount Lushan in Jiangxi province and wrote the text On Why Monks Do Not Bow Down Before Kings in 404 AD. He was born in Shanxi province but after a long life of Buddhist teaching he wound up in Jiangxi province, where he died in 416. Although he was born in the north, he moved south to live within the bounds of the Eastern Jin Dynasty.