The differences, in phonology, lexicon, and also in grammar, between the topolects and the Mandarin language are very great, so that it would indeed be appropriate to treat them as languages and not only as dialects. Min is divided into several sub-topolects (Minnanhua 閩南話, Minzhonghua 閩中話, Minbeihua 閩北話, and some more) that are so different from each other that the idoms of neighbouring villages can mutually not be understood.
The classical language has still an influence on newspapers, government reports, legal texts, official documents, business contracts, and even on private letters. This influence can be seen in the language style, the lexicon, and certain expressions. The reason for this is in first place tradition (for example, forms of address or ceremoniousness, but also the more concise character of the classical language). In books and magazins, Classical Chinese is rarely used in the People's Republic of China, but it is to be found in many films picturizing the popular classical Chinese novels.

The main strong point of the Chinese characters is that they can bridge time and space. The huge treasury of 3,000 years of Chinese literature can be read by those proficient in the use of Chinese characters. Furthermore, people from whole China can understand the meaning of characters, even if they do not know the national language but only speak a topolect. The pronunciation of Han-period Chinese was very different from the Mandarin language of today, and the phonetic range of most topolects – and even that of Mandarin dialects – is broader than that for the Mandarin language. A transcription of the latter is therefore, in spite of Mandarin being the national language, is not very convenient to serve as a tool for a transcription for many other idoms in China. The use of the national standard language Mandarin in the many provinces of China is only passive, and the population is not actively using it.

This article discusses critical discourse theory as a qualitative research theory. Analytical frameworks include analysis of texts, communication and social practices in local, corporate and social levels. It has the goal of expressing and engaging in politics to discuss or deal with certain research methods, statements or values. It refers to the need to explain, understand, analyze, and ... [Show full abstract]Read more
Confucian philosophers, often scolded as conservative, were by no means inclined to the classical language. The Zhuzi yulei 朱子語類, a collection of discourses by Zhu Xi 朱熹 (1130-1200), is written in vernacular language, at least partially. The creation of a lot of new terms in technology during the Song, Yuan 元 (1279-1368) and also the Ming periods, is due to the growing economy that stimulated a lot of inventions.

Tonghua's population hovers around 300,000, but census information is difficult to assess as it includes demographic information from other towns nearby (for example, Erdaojiang - a suburb of Tonghua, and even Hunjiang, a city to the east). The inclusion of these suburbs and surrounding towns greatly swells Tonghua's official population beyond the 300,000-mark.
... Anthropologists might conduct ethnographic research on the shopping activities and on the use of light bulbs to learn how people act in stores and how they use bulbs in their homes. A study of electricity use in China ( Wu, 2008) showed that men, rather than women, typically purchase light bulbs, but that electric light is more important for women's economic activities (such as sewing clothes) than for men's, so that men and women might have different priorities in selecting bulbs. This study also showed that more expensive electric items are often purchased in stores, while less expensive ones are purchased in street markets. ...
The separation of the closed or "dark" syllables from the open or "light" syllables of the initial series [dʐ], [tʂʰ], [ʂ], [ʐ] and [dʝ], [tɕʰ], [ɕ] was a phenomenon having occurred in the last 200 years. Some of the "dark" syllable series even altogether dropped a vowel, without yet giving up the tone pitch. These are the "hummed" syllables [dʐ], [tʂʰ], [ʂ], [ʐ] and [dz], [tsʰ], [s]. This development coincides with the palatalisation of the guttural sounds [g] and [kʰ] which became [dʝ] and [tɕʰ] before open vowels beginning with [i] and [y].

The city of Tonghua has also become a hub for a range of Chinese pharmaceutical firms, including domestic insulin producer Tonghua Dongbao Pharmaceuticals Ltd. These companies are generally spread among the various "Industrial parks" found throughout the city, with 46 projects located in these parks in 2012 alone.[8] Investment in Tonghua's pharmaceutical industry is on the increase, with 27 of these projects worth over 100 million Yuan. Other pharmaceutical producers in the area include Jingma, Zhenghe and Wantong Pharmaceuticals.
The Mandarin language is written with Chinese characters (zi 字 or hanzi 漢字). Chinese characters are not pictures, but ideas of meanings (an ideographic script), and in many cases a quite complicated method to write sounds. About two thirds of the Chinese characters include a phonetic component. Each character stands for one syllable, and not necessarily for one word. The same character might have several different pronunciations, depending on the meaning. Yet a character can also have different meanings without being pronounced in a different way. This ambiguity in pronunciation and meaning is in first place valid for the Classical Chinese, where much more characters are expressing single words. In modern Mandarin, where most words are bisyllabic, it is not so easily possible to confound different pronunciations or different meanings.
After arriving in Atlas and meeting with James Ironwood, Yang obtains an entirely new outfit primarily consisting of khaki coveralls, the gold zipper of which is unzipped just below the breast to reveal a white low-cut shirt. Around each thigh of the coveralls is a gold zipper that allows for the pants leg to be detached, as well as a belted strap that connects to the leg. The right leg is unzipped but still strapped to the coveralls. Over top the coveralls, she wears a baggy, black crop jacket with fur trim around the neck and black-and-orange straps along the sleeves. Around her waist is a black-and-orange belt with black-and-yellow folded fabric on the sides and a golden buckle of her emblem. She wears tall black boots with black laces. Around her left thigh is a wide black belt with a pouch attached. For accessories, she has resumed wearing her orange scarf around her neck and her purple scarf around her right leg, like she did with her original battle outfit.
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