In 1919, the dictionary Guoyin zidian 國音字典 was published (revised edition 1923) which fixed the pronuncation of characters according to the national language. In 1932, an official list of the correct pronuncation of the most important characters was published, the Guoyin changyong zihui 國音常用字彙. The Ministry of Education started publishing a series of journals and newspapers written in the "new" national language, like Guoyu yuekan 國語月刊, Minguo ribao 民國日報, Shibao 時報, Shenbao 申報, or Shanghai qingnian 上海青年.
There were some voiced or "soft" consonants ([b], [d], [g], [dz]) not any longer used in Mandarin (correctly, [p], [t], [k] and [ts]), but in some local idioms and a lot of topolects. There might have been initial consonant clusters, like [kl-] or [pl-]. This theory has been derived from the fact that some phonetic elements have two different series, like 各 [gə] serving for the series 格 [gə], 恪 [kə], 閣 [gə] or 客 [kə] and the series 洛 [lωɔ], 路 [lu], 賂 [lu] and 略 [lyɛ]. It is quite probable that the initial cluster [kl-] served for words that later were simplified to [l-] or for [k-].
The tone pitches were one criterion for the arrangement of the rhyme groups in Middle Chinese. The Qieyun, and all later rhyme dictionaries, discerns the four tones pitches of level tone (pingsheng 平聲), falling-raising tone (shangsheng 上聲), falling tone (qusheng 去聲) and entering tone (rusheng 入聲, syllables with consonant finals [-p], [-t] and [-k]). The yangsheng syllables (endings [-m] [n] [-ŋ]) with the rhymes [-uŋ], [-ĭuŋ], [-uk], and [-ĭuk], for example, are divided into the four rhyme groups 東 [tuŋ˥˩], 董 [tuŋ˥], 送 [suŋ˩˥] and 屋 [ʔuk], each bearing a different tone pitch. The yinsheng syllables (without final consonant) with the rhyme of [-ĭo], are divided into the three rhyme groups 魚 [ŋĭo˩], 語 [ŋĭo˥] and 御 [ŋĭo˩˥] because there is no word with the entering tone pitch among these syllables.
The often-mentioned character of Classical Chinese as monosyllabic and modern Chinese as disyllabic is by no means true. There are many monosyllabic words in colloquial language (shou 手 "hand", tui 腿 "leg", wo 我 "I, me", gei 給 "to give, towards"), and also disyllabic words in Classical Chinese. Among the latter is a large amount of disyllabic words of which each syllable bears the same or a similar consonant initial or ending, the so-called vowel rhymes (lianmianci 聯緜詞). The syllables of many of these words can not be separated and used as monosyllabic words, like:
The interest of Chinese scholars for astronomy was first satified by Arabian and Persian experts, and during the Ming period by Jesuit missionaries. Some Jesuits wrote Chinese books on technology and thus contributed to the creation of new termini technici in China. The overseas trade with Southeast Asia and the Indian Ocean brought foreign loan words into China. Only a small amount of these Arabian and Malay loanwords have survived, for example, suona 嗩吶, a kind of trumpet. Yuan period texts contain a lot of loanwords from Mongolian, of which only a few are still in use, like zhan 站 "station", dai 歹 "bad, evil", hutong 胡同 "quarter in a city", mogu 蘑菇 "mushroom", or talian 褡褳 "bag".
There’s coercion. It’s not a democratic system at all. Villagers are not consulted in a lot of decisions. But they do share economic benefits. It’s institutionalized through an incentive system that combines collective and individual interests and makes disengagement costly. It’s very expensive for villagers to leave the community. It’s almost like they are married to the collective. You need to pay a breakup fee (to leave).
The Forest Park is dominated by natural landscapes. The total area of the park is about 1,041 hectares (2,570 acres) and the forest coverage rate is 98.7%. The main species are Korean pine, spruce, alfalfa, birch, and rare species such as yew, hedgehog[clarification needed], hawthorn, and magnolia. Under the canopy, there are mainly wild ginseng, ginseng, asarum and other medicinal materials.
Created by Pietro Polendina, Yang's cybernetic limb possesses great strength. Its power is shown in "Two Steps Forward, Two Steps Back", where a single blow sent her father, a fully trained Huntsman, skidding back several feet, even though Tai blocked the attack. It is also outfitted with most of Ember Celica's features, including a shotgun. As seen in "Rest and Resolutions", the arm can detach from her bicep, and can even be fired like a projectile.
Because the Chinese script is not phonetical but logographical, it is not possible to directly recognize the sound of a character. This is very problematic for the reconstruction of the sounds of ancient Chinese. The main source materials for the study of ancient Chinese phonology are poems, a literary genre using rhymes. Another source are ancient dictionaries whose entries are arranged in rhyme groups. Modern topolects with a phonetic system of a more archaic character can also serve to reconstruct the sounds of ancient Chinese. A fourth source are Chinese transcriptions of foreign names, like fotuo 佛陀 for "Buddha", in which it can be seen that the modern syllable fo formerly included a consonant final –t ([bʰĭuət dʰɑ]). The problem with the reconstruction of an ancient Chinese phonology is that also in ancient times, there were topolects and dialects, so that it is difficult to establish a "standard phonetic" of Early Archaic Chinese (shanggu Hanyu 上古漢語) or of Middle Chinese (zhonggu Hanyu 中古漢語).
In the Mandarin language, there are many monosyllabic words. These are mainly simple words for everyday use, like the words for "hand" (shou 手), "to wash" (xi 洗), or "and" (he 和). Yet the greatest part of verbs, adjectives and nouns is disyllabic. Monosyllabic morphemes can be combined to disyllabic or polysyllabic words, like the words for "street" ("horse lane" malu 馬路) or "washing machine" ("wash-clothes machine" xiyiji 洗衣機). Disyllabic words can be created by a juxtapositon (type binglieshi 並列式) of two nouns of two verbs that often have a similar meaning (jisuan 計算 "count-compute", renmin 人民 "person-people", daolu 道路 "way-street", shanggu 商賈 "merchant-trader", or xisheng 犧牲 "victim-sacrifice", kongpa 恐怕 "fear-be afraid"), but sometimes also are opposites (daxiao 大小 "large-small (size)", changduan 長短 "long-short (strengths)", or cunwang 存亡 "exist-perish (existence, survival)"), in which case only one syllable gives the meaning (chengbai 成敗 "accomplish-defeated" is "defeated", huanji 緩急 "relax-haste" means "to hurry").
After arriving in Atlas and meeting with James Ironwood, Yang obtains an entirely new outfit primarily consisting of khaki coveralls, the gold zipper of which is unzipped just below the breast to reveal a white low-cut shirt. Around each thigh of the coveralls is a gold zipper that allows for the pants leg to be detached, as well as a belted strap that connects to the leg. The right leg is unzipped but still strapped to the coveralls. Over top the coveralls, she wears a baggy, black crop jacket with fur trim around the neck and black-and-orange straps along the sleeves. Around her waist is a black-and-orange belt with black-and-yellow folded fabric on the sides and a golden buckle of her emblem. She wears tall black boots with black laces. Around her left thigh is a wide black belt with a pouch attached. For accessories, she has resumed wearing her orange scarf around her neck and her purple scarf around her right leg, like she did with her original battle outfit.